Monday, March 25, 2019

The Nature of Space in Kafkas The Castle :: Kafka Castle Essays

The Nature of Space in Kafkas The Castle From the end of the nineteenth century to the outbreak of World War I, great developments in engine room and knowledge brought about significant changes in the way man viewed sentence and position. The necessity of clear train schedules led to the development of World normal Time and the plurality of private time. In regards to space, with which this paper pass ons, man locomote into other subjective realms beyond the two and three dimensions described by Euclid. In fact, with Einsteins theory of relativity, the number of spaces inherent in life change magnitude beyond calculation to equal the number of moving reference systems of entirely the matter in the universe. This theory echoes Nietzches contemporary philosophical theory of perspectivism, where space only consists of points of view and interpretations, not objective facts. Thus, these two doctrines signaled a partition of the old notion that there is a single reality, a singl e, strong space. Space became subjective and relative, man could not be sure of what it was that in truth surrounded him and made up his physiologic world. Creative artists, painters and novelists, attempted to deal with this clean concept. Attacks were made on traditional notions that there is only nonpareil space and that a single point of view is equal to an understanding. Writers, specifically, responded with eightfold perspectives depicting different views of the same objects in space in set to demonstrate that the world is always different as it is perceived by various observers at varying times. Man had to come to grips with the fact that with such(prenominal) a plurality of space, he cannot know, understand, or even see the physical world completely. Thus, it is not surprising that Kafkas final work, The Castle, which emerged out of the pluralism and confusion of this age, deals with this new notion of space, this new relativity of the world surrounding man. While th e declare can be looked at on a spiritual level, with the citadel symbolizing divinity or the ultimate spiritual meaning of mans existence, in regards to space, the castle could also symbolize the actual literal, physical world. Through the reputation of K. and his quest, the different ways the Castle is perceived by K. from various viewpoints along his quest, and the inability of anyone to know the true nature of the castle officials, Kafka

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