Orange Juice (The Godfather) :: essays research papers

**Orange Juice**Contrast and ironyGentle moments in the story keep it realistic while the big plot progresses and sucks us in. For every action there is an equal and blow reaction- The Godfather get out make sure. Not a killer by his definition, The Godfather does non mix family and business matters, yet family and crime abound. And justice prevails however it may. Transitions in the montage after Michael killed two of his first marks in the eating house explain exactly how the family works. One scene shows a family member playacting the piano, then cuts artfully to another of a dead body. The piano thespian still playing directly above the body. A spectacular parable of how the family mastered the art of playing others.The opening line I guess in the States (spoken by the undertaker, no less)-contrasted later in the motion-picture show by another scene in which one of the family appears to be eliminate on the Statue of Liberty, seen in the distance. So much for believing in America after all. The feel of viewing the world through dark shades on an already cloudy day versus the bright, relaxed feeling of the Sicilian scenes creates notwithstanding more contrast and confusion. The characters hidden from the viewers eye in the United States, while Michael hides in Sicily. Images of these scenes prevail in viewers minds, winning us to a happier time and place while we wonder what the Corleone family has up their sleeves in America.The Godfather grants favors- as a self-benefit of course- because the favors control those whom that they atomic number 18 meant for. Corleone has granted favors, plainly those who have received them will be in his debt and one day, theyre afraid, they will be called upon to make-good the favor of the Godfather. Crime merely illustrates the degree of power this family holds. fag Corleone can make it happen- with offers that can not be refused. People are killed just to show who is boss. Even the raspy voice in which the Godfather grants the favors lends to a colossal sense of power, as does his sharply shaped, well-manicured mustache. Michaels injury transitions his public lecture and he begins to speak like his father- his power becomes obvious. At the baptism of Connie and Carlos son, the engage cuts to show the murders Michael has ordered. The patriarchs of the five families. The final montage artfully suggests that the murders and baptism occur simultaneously.